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Kid
606 Myspace
Tigerbeat6
Website
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Interview with Kid 606
When was the moment in life when you knew that you would
become a famous musician?
Seriously never was, or that moment arrived and
passed without me realizing it, theres been many moments where
I got a lot of money or played to tons of people and have
been like "holy crap, what on earth did i do to deserve
this wonderfulness?" but as a whole I´ve always
been a pretty manic and insecure person who hoped for the
best but didnt really expect it.
What means "groove" for you?
I think a groove for me is repetition that doesnt bore
you. The best
dance music you can listen to again and again in a row because
its exciting and interesting.
What was your first equipment and what is your favorite
equipment now?
The first thing I got was a Ensoniq Mirage Sampler, lately
I´ve been
really into Artillery2, my Xoxbox (to sequence other things)
Sherman Filterbank 2 and this crazy Fuzz Pedal Nels Cline
uses that
sounds like nothing else and I run everything through.
What was the first computer that you used for music production?
Macintosh SE running Mastertracks pro, the cheapest sequencer
you could buy! I really wish I got into it more, I just used
it to lay out loops on my sampler at the time. But I usually
got so frustrated with the midi not working right that I would
use the internal sequencer in my
Ensoniq eps 16+ instead. When affordable powerbooks came out
I could play live with them that I really got productive.
What do you think is the worst limitation in working with
a virtual studio?
It's hard to involve other musicians in real time. Even
if your doing
a simple mix with someone, that moment when both hands reach
for the mouse at the same time is always frustrating! Also,
having internet access is a real double edged sword while
your working! It can help so much sometimes but then when
your checking websites while rendering audio or editing samples
it can be such an awful distraction!
When composing a track, do you rather follow music theory
or your ears?
A little of both, im not trying to make music thats so
traditional
most of the time but if I only follow my ears and something
goes wrong then I start having to analyze things, but I definitely
have to break out pen and paper to figure out things on occasion.
When you were a kid, there must have been some rockstar
that you wanted to be like, who is it and why?
When I was really young like 11 or 12 I was really into
things like
Ministry, Skinny Puppy, Godflesh, Whitehouse, Nine Inch Nails,
Throbbing Gristle but when I read interviews with them they
all seemed so miserable or at odds with there success I can't
say that I actually wanted to be like them. I think I really
wanted to be in a really beautiful out type shoegazer group
like My Bloody Valentine or Seefeel but I know that wasnt
me since I was real angry and crazy, so probably Mark van
Hoen from Locust because he was real dark and wrote amazing
songs but also did sick danceable jungle and idm techno stuff
on cool labels like R & S.
What would your dream plugin do?
I think the Sugar Bytes plugins are pretty dreamlike and
I´m not to greedy for more! What I´d rather dream
about is a perfect combination between Logic and Ableton as
its annoying having to go between them or run them at the
same time. And as far as interfaces we need to ditch the mouse
and keyboard and just have massive touchscreens to work with.
Are you a preset user or do you rather create all sounds on
your own?
It depends on the instruments. I definitely dont think
I ever use a
preset without changing it somewhat. I use lots of analog
synths with
no preset capabilitites, and make samples from them (especially
for
basses). I hate soft synth and virus presets since they always
seem to be drenched in delays and reverbs or overused arpeggios.
How did you stumble upon Sugar Bytes?
I think I first heard about it from various berlin musicians
and then
some friends were using artillery live and I just wondered
why this product has never been made before, its so smart
and intuitive to control effects with the keyboard in such
an easy way!
Do you believe in virtual tube sound?
Of course, now I just wait for virtual Tascam 4 track
tape hiss sound,
that would make me very happy. I really miss the sound of
cassetes that have been played a bunch.
How do you perform your music on stage?
It depends heavily on the kind of show, but lately it's all
going into
the crazier side of dance music where im trying to present
new stuff of mine in the most funky club friendly formatting
as possible, but then letting things all fall apart when it
seems to be getting to complacent or obvious. I think its
ironic that some of the best times you can have at a club
is to music you wouldnt listen to or appreciate outside, but
then so much amazing music that you love just fails miserably
when you hear it played live or by a DJ at a club.
Did you learn an instrument? Which one?
A little bit of guitar, bass and keyboard, but I never
got into it enough to play them consistently, it's really
hard to practice instruments with very specific tonal qualities
when you get involved in sampling, synthesis and sequencing
so early on! It's definitely annoying to me, and if I had
children today I´d definitely want them to master a
conventional instrument before letting them loose with fruity
loops or whatnot.
Is your family ok with the fact that you spend so much time
in the studio?
I think its ok when it is during the day, but I probably
am asking for
trouble when staying till midnight, and definitely bad when
I spend
the night!
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